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I am a sound engineer in a famous theater
I love my job. Every night I turn the knobs and get a great show. Ask me anything.
Proof 1: https://imgur.com/0hvNVc7
Proof 2: https://imgur.com/wh3REUj
Proof 3: https://imgur.com/3IrbAtp
andrewstereo91 karma
I live in Germany. Here you can study this profession at the university. I have successfully completed the study and then started my own business.
Qu1kXSpectation23 karma
What does the course of study cost? Asking with warm regards from US.
andrewstereo16 karma
The university of applied sciences is called "Fachhochschule Düsseldorf".
andrewstereo35 karma
Yes there is an entrance exam. You have to perform three pieces of music from different eras and take another exam in music theory. This is because the sound engineering program in Germany is a mixture of music studies and technical studies.
andrewstereo7 karma
Foreigners can also study there. However, there is a very difficult entrance exam.
andrewstereo2 karma
No, there are tuition fees in Germany, they're just not particularly high.
formerPhillyguy9 karma
If you are in the US, you can join the marines. This is true. Back in the early 90's, someone I worked with wanted to be a professional audio engineer and, I guess, couldn't afford the school, so he joined the marines with the understanding they would train him to be the engineer for their bands and orchestras. He still had to go through basic training, but they kept their word. After leaving the marines, he worked for Claire Brothers, one of the largest touring audio companies in the industry. He is now the lead audio engineer for one of the Vegas casinos and has worked with Springsteen, Sting, Manilow, Bette Midler, and I don't know how many others.
AMillionMonkeys33 karma
Are you doing the same show every night like Broadway, or different acts?
andrewstereo29 karma
We have our own production, which runs about three times a week. And then we have guest artists in between.
andrewstereo45 karma
It is a small theater with 200 seats. But it is known all over Germany. It was the first theater in Germany for comedy, music and literature after the Second World War.
andrewstereo11 karma
Sorry, my English is not so good. What do you mean by "load"? Can you use another word that I understand?
andrewstereo57 karma
My favorite show is our own production. It's a funny play about four parents who are sued by their children for climate change.
D5KDeutsche15 karma
Do you find all live productions that you're not involved in to be too distracting for you because you can't "unhear" things you'd do differently?
andrewstereo25 karma
Yes that's right. I always listen analytically, I can't turn that off.
johnmcl697 karma
How big is the theatre? And what type of gear do you rely on the most for your productions?
andrewstereo17 karma
It is a small theater with 200 seats. We use a Beringer X32 mixing console and Sennheiser microphones.
andrewstereo2 karma
You mean Dante virtual soundcard? I haven't used it yet, but a colleague always raves about it to me.
andrewstereo8 karma
Yes, I like a singer very much. Her name is Nessi:
https://open.spotify.com/artist/47mbNlW6j1QC92ag1tkEmC?si=8rNOKDbHRfKAfXPtEYD5LA
selftitleddebutalbum4 karma
What's your favorite audio to play once you have your settings?
rossmosh853 karma
How do you confirm the sound in the booth matches the experience for the audience?
andrewstereo1 karma
It always depends on the sound mix. I try to make it as homogeneous as possible.
andrewstereo1 karma
How do you confirm the sound in the booth matches the experience for the audience?
Sorry, I misunderstood the question. My English is not so good. I don't sit in a booth when mixing but sit open to the audience and the stage.
Destinator83 karma
What type of microphone set up would you recommend for a low-resource community theater? I played in the pit for a local theater which was using aging headset-style mics that had unbearable static. Is there anything to look for to be efficient and cut down on the cost of new mics?
andrewstereo4 karma
You can use headsets from Monacor. They are relatively inexpensive, but have an acceptable sound.
andrewstereo8 karma
When does a knob become too big to turn and retain its function?
Controllers don't get bigger or smaller, but they can break. If this happens during the show, it is unfortunately very unpleasant.
SeBAGeNetiC2 karma
Have you been told told you look like a good guy version of Kevin Spacey?
andrewstereo3 karma
Once almost. I had diarrhea and ran out to the bathroom during the show. I had to wait for a moment when I had nothing to do.
JoakimSpinglefarb2 karma
How often do you have to assure your acts that the mix will sound less bright when the venue fills up with meatbags?
Holeysox2 karma
Speaker boxes. I can't find anything that can tell me why certain designs are better than others. Do you have any textbooks that would pertain to the subject or know where I can find sound related equations (other than the speed of sound)?
andrewstereo1 karma
I'm sorry, but I'm not a specialist when it comes to loudspeakers. When I have to judge speakers, I listen to them very carefully. I think that's the best way to find out what you prefer.
jakexmfxschoen1 karma
Follow up question: is that enough for you to live off, or do you have a day job as well? This is something I wanted to go into about a decade ago when I graduated high school, but my small town, Midwestern dad refused to help pay unless I went to a "real school."
andrewstereo3 karma
I can live very well from it, but I also have a small recording studio where I work and earn money.
gocougs1913 karma
Do you have any recommended tutorials or resources for that console?
Our school has one but between the tech department who ran the wiring install and a poorly-aging building/electrical system, we can’t tell when we are struggling with operator inexperience or systemic issues.
It’s been months and I have forgotten what issues gave us trouble last time I ran the board.
Kosrei1 karma
Seconded on this! We’ve been having issues with our x32 and feedback coming out of the mains - would love to find material and dig into how it works better!
andrewstereo1 karma
Feedback usually has something to do with the microphones. They occur especially when you use microphones with omnidirectional characteristics. You have to filter out the interfering frequencies at the mixing console.
andrewstereo1 karma
Do you have any recommended tutorials or resources for that console?
No, unfortunately not. Even from Behringer there is no satisfactory user manual.
3sides2everyStory1 karma
Every night I turn the knobs and get a great show.
Ah!. you got a Knob Job! Noice!
So what's your favorite knob and why?
Blasto_Brandino1 karma
I was looking at the Sennheiser e945 mic for my computer for use with my decent but no phantom power. You have experience with them? You like them? It’ll be for basic voice communication but I would like good clarity and fullness
andrewstereo1 karma
I unfortunately have no experience with the Sennheiser e945 mic, but Sennheiser is a very good company in my opinion. We often work with Sennheiser microphones in the theater.
ToasterUnplugged1 karma
Did you go to graduate school, or the Germany-equivalent of graduate school after university?
andrewstereo1 karma
In Germany, we do not have the concept of "graduate school". I have a diploma in sound engineering, which is equivalent to a master's degree.
hometown451 karma
What is more difficult to balance, a choir or a soloist? And Why? With orchestra of course.
andrewstereo3 karma
A choir is harder to mix because you have to balance a lot more signals.
Leader3421 karma
Have you ever been responsible for, or at least witnessed, a hilariously awful sound related technical error? I’m a sound engineer too and everyone working in a theater setting is bound to slip up at some point.
andrewstereo2 karma
Sure, I've also made mistakes during the show. Fortunately, if people notice it at all, they find it rather amusing.
DjMafoo1 karma
As someone who also did audio engineering for a while during school and involvement in small theatre. I have had my fair share of stupid but funny things that went wrong. My favourite being the time a 5 year old turned off the power to one of our amps between acts, had a 15 minute delay after having to close the curtain due to not being able to hear 1 of the leads.
What’s your favourite “shit show” story?
andrewstereo1 karma
A colleague once forgot to disconnect the talkback connection to the stage. During the show, everything he said could be heard on stage. He was commenting on the show and flirting with a female sound engineer at the same time. The actors on stage had to be very careful not to burst out laughing.
doug19721 karma
Has any actor used the bathroom facilities and actually left the microphone on, like in Naked Gun?
andrewstereo1 karma
Yes, but unfortunately it was my fault, I had forgotten to mute the microphone after he left. But he only spoke innocuous stuff.
THIRSTYGNOMES1 karma
Can you suggest decent quality, but not very expensive sound deadening? Trying to get my home theater to not echo as much
andrewstereo1 karma
Sound deadending is unfortunately always expensive. The absolute cheapest solution is egg cartons. But they are, unfortunately, not very aesthetic. We built the absorbers ourselves in our studio: cover a wooden frame with fabric and fill the interior with sheep's wool.
EngineeringDevil1 karma
Do you ever have to deal with artist not showing up and not telling anyone like some horror stories you hear about madonna and a few other divas?
andrewstereo1 karma
No, something like that hasn't happened to me yet, fortunately. But I have had bitchy female artists who have bullied us sound engineers.
Eckleburgseyes1 karma
Do you find it debilitating in your everyday life, not being able to count higher than 2?
switchblade10201 karma
What is an insider trick for getting clarity on vocals in a challenging room?
andrewstereo1 karma
By challenging room you probably mean a room that is very reverberant. Here it helps if the actor or musician speaks or sings as close to the mic as possible. Otherwise, you can help a bit with an equalizer.
GeneralMcGrath1 karma
So THIS is what audio guys do all day...
JK.. serious question now... How'd you manage during Covid? Lots of my friends in our industry weren't as lucky as me to have a back up plan
andrewstereo2 karma
The theater I work for unfortunately had to close during Covid. I was unemployed for a year, so to speak. But I had financial reserves from which I lived. There was also support from the state for the self-employed.
andrewstereo1 karma
Sorry, my English is not so good. By "board" you probably mean the mixer? It is a Behringer X32 digital console.
andrewstereo1 karma
If the lapel mic accidentally pops, it's usually the cable's fault. You should check if it might be broken. If it pops during explosive sounds, then you can help yourself with a pop shield.
keepitcleanforwork1 karma
Is it necessary to adjust the eq settings on a modern car with a good sound system?
andrewstereo1 karma
As a rule, yes, because each car has its own acoustics and should be adjusted accordingly.
OmenVi1 karma
Do you use any Wenger products at your theater? They’re US based, so maybe not, but they do have an international sales channel.
Setagaya-Observer1 karma
How do you stay updated?
Regarding Sound/ Sound Design
(So much is going on but now I am lost)
andrewstereo1 karma
Yes there really is a lot going on in this area. But I'm not going crazy about it. I have a couple of favorite companies like Native Instruments that I get information from on a regular basis.
Bn_scarpia1 karma
How do sound engineers that work in largely acoustic/non-amplified arts (e.g. opera) manage to keep stage and side monitor sound from bleeding into the house? It seems that many opera/concert houses are built for natural amplification (e.g. Hollywood bowl, Beyreuth, et al.)
andrewstereo2 karma
One option is to position the monitors so that they do not echo into the audience. The second option is to make the monitor sound as quiet as possible. There are not many more possibilities. The only thing I can think of are monitors that have the narrowest possible beam angle.
closetothesilence1 karma
This year I got my first real live sound gig recording classical piano concerts in a small hall converted from an old two-car garage and workshop space. It's got a baby grand at one end and is probably 30' to the back wall. It's been a learn-by-doing experience for me as to how to mic up the piano to record the performances. I've got a pair of pencil condensers inside the piano near the hammers (panned hard left and right) and I've been cycling through my mics to get room ambience at the back of the house but it's a pretty dead room. It all goes right into logic and being a small hall there is no PA to worry about. I don't know if these are the right mics for this application or if I should have different mics on different strings or something with a larger diaphragm. I guess my question is how you would approach a single piano in a weird rectangle of a space like this?
andrewstereo2 karma
In the theater, we get very good results by using boundary microphones that we stick to the inside of the lid. However, the lid must be closed for this. If the pianist wants to play with the lid open, this method doesn't work so well.
andrewstereo2 karma
Why didn’t you go into something more useful like lighting? ;)
I am also a lighting technician.
universe93-3 karma
Your proof isn’t proof of your job at all. For all we know you’re making everything up
andrewstereo0 karma
Why should I lie? What would I gain from pretending to be a sound engineer?
Buggy3D90 karma
How does own end up working this field? Do you just get to school and apply? Or is it mostly a person you know kind of field?
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