Critics of We Steal Secrets, Man in the Machine, and Going Clear, among some of your other films, have noted that you tend to tell a “one-sided” story of your subjects, often leaving out key factual information, or failing to investigate issues that don’t support your own point of view – your thesis. What is your role director of such documentaries? Do you feel what you’re doing is journalism by definition? Or is it advocacy?
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Critics of We Steal Secrets, Man in the Machine, and Going Clear, among some of your other films, have noted that you tend to tell a “one-sided” story of your subjects, often leaving out key factual information, or failing to investigate issues that don’t support your own point of view – your thesis. What is your role director of such documentaries? Do you feel what you’re doing is journalism by definition? Or is it advocacy?
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