Wow, what an icon! My wife and I saw you a few years back in the Ring Cycle at the Met, and your Wotan in Das Rheingold was a huge highlight of the experience. You have a unique gravitas and bearing that combines your voice and physicality that really made that opera "epic" from the start. Thank you for bringing it alive for us!
My question is, what was it like to work on the rotating plank stage piece designed by Lepage? Those technical effects, for me, really helped elevate the production to that mythical level and status. What stories do you have about navigating that machine while still being attentive to your voice and stagecraft?
sithwitch71 karma
Wow, what an icon! My wife and I saw you a few years back in the Ring Cycle at the Met, and your Wotan in Das Rheingold was a huge highlight of the experience. You have a unique gravitas and bearing that combines your voice and physicality that really made that opera "epic" from the start. Thank you for bringing it alive for us!
My question is, what was it like to work on the rotating plank stage piece designed by Lepage? Those technical effects, for me, really helped elevate the production to that mythical level and status. What stories do you have about navigating that machine while still being attentive to your voice and stagecraft?
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