Foley artists have always fascinated me. I don't think most people realize how nearly all of the "natural" sound in any given film is completely reproduced after the fact by talented, skilled, zany and creative Foley artists.
Were you involved with that process at all in any of the productions you worked on? If not, did you do most of your work before or after the Foley was introduced?
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Foley artists have always fascinated me. I don't think most people realize how nearly all of the "natural" sound in any given film is completely reproduced after the fact by talented, skilled, zany and creative Foley artists.
Were you involved with that process at all in any of the productions you worked on? If not, did you do most of your work before or after the Foley was introduced?
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