prince_of_tacoma

http://www.reddit.com/user/prince_of_tacoma

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prince_of_tacoma34 karma

oh boy that's a dank meemay keep maymaying so dankly

prince_of_tacoma8 karma

Doge wasn't even intentional... I guess it does come off a little like that though.

Thanks for support. The funny thing is, this isn't really even digging that deep where I'm from on the internet. Except for probably the Herndon track and maybe Ought who is new to the scene, this is all considered fairly entry level. It's definitely all pitchfork-core.

(and thanks for the compliment, I always like sharing music with people)

prince_of_tacoma3 karma

Hey Mr. Isaac, I first want to say that I absolutely love your performance in this movie. Truly heartbreaking and amazing. I'm a huge Coens fan and Inside Llewyn Davis is now one of my favorites. Also, I've been listening to the soundtrack non-stop since I saw this, so thanks to you and Mr. Burnett. Amazing job on the music.

How much of the performances in this movie are live on set? Les Miserables kind of revolutionized the way music on film sets is handled but the final project seemed awkward and not fully rewarding. However, the performances in this looked live but also avoided the awkwardness of Les Miserables. Were they live and, if so, how do you think you (and the Coens and your production sound mixer) succeeded where others failed? If Mr. Burnett can add anything to that, I'll be thrilled to hear what you have to say as well. I'm a film sound guy so all of that stuff is fascinating to me.

Also, on a more artistic note, how do you, Mr. Isaac, feel that this film fits in to the Coens overall filmography and philosophy? What parts do you think further delve into their psyche, their ideas? I know the Coens will never answer a question like this but I'm curious if someone on the inside has any further vision into their work as a whole. The auteur threads of the Coens are one of the most confusing and enlightening and enjoyable topics for me in current cinema.