Hi Jen!
Thanks for doing this AMA. I'm a newbie sound editor working in NYC. I'd love to hear more about your work on Treme. As a New Orleanian who has been to a number of second lines, I'd imagine you encountered some challenges with production audio for those scenes in particular. Anything you can share about the process of giving the series (and especially second line scenes) a natural feel (like balancing the music with the dia and sfx as the characters move in and out of the second line)?
Also, a career related question. How did you begin the transition from editing to working as an SSE?
mayonegg886 karma
Hi Jen! Thanks for doing this AMA. I'm a newbie sound editor working in NYC. I'd love to hear more about your work on Treme. As a New Orleanian who has been to a number of second lines, I'd imagine you encountered some challenges with production audio for those scenes in particular. Anything you can share about the process of giving the series (and especially second line scenes) a natural feel (like balancing the music with the dia and sfx as the characters move in and out of the second line)? Also, a career related question. How did you begin the transition from editing to working as an SSE?
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