mangopositive

I was so releived when the Parallax ended up being fake. I had a trip to Italy planned and it would have just been irresponsible.

What are the hurdles standing in the way of authentic sounding digital distortion / overdrive sounds and do you believe they’ll ever be surmounted? If not, how feasible would it be to stuff analog circuitry for several great sounding options into the Strymon big box and have them midi-controllable with presets, like a hybrid of sorts?