lift__

Dude, KEEP YOUR PROJECTORS. If everyone’s smashing their unicorns, by the time you’re old and grey, you’ll have a rare original beast. That may be very valuable some day…

Likewise, if you keep them, maybe 10 or 20 years from now, original film projections will have the same appeal vinyl does. And the ultra-hip indie filmmakers will be releasing experimental film on 35mm only. You’ll get to charge 800 Ameros for that.

I’ve heard a little bit about block booking from back in the day. Do you see any tactics from the major film producers or corporate cinema world that are clearly detrimental to what you do? Or do you believe it’s just a “They have so much fucking money it’s hard to compete” sort of thing?