Obviously, UCB does well in bringing in audiences now. Can you talk about the point of transition where things went from shows where there might be a small audience (or no audience) to being able to count on some kind of steady stream of audience members? What do you remember about UCB making it over that hill, so to speak?
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Obviously, UCB does well in bringing in audiences now. Can you talk about the point of transition where things went from shows where there might be a small audience (or no audience) to being able to count on some kind of steady stream of audience members? What do you remember about UCB making it over that hill, so to speak?
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