How much tougher and how involved were you in editing your Crowd Work special? I'd imagine it was harder to pick the material that would go into the special than a regular special where you have a certain amount of material that you've worked on as opposed to the crowd work format where you probably had seven completely different shows with all different material. I know that was a run-on sentence kind of but you're an incredible genius, so I'm sure you can figure out what I'm asking.
Also thanks for opening for Louis in Pittsburgh last year. That was such an awesome surprise.
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How much tougher and how involved were you in editing your Crowd Work special? I'd imagine it was harder to pick the material that would go into the special than a regular special where you have a certain amount of material that you've worked on as opposed to the crowd work format where you probably had seven completely different shows with all different material. I know that was a run-on sentence kind of but you're an incredible genius, so I'm sure you can figure out what I'm asking.
Also thanks for opening for Louis in Pittsburgh last year. That was such an awesome surprise.
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