finnarun

That's how it starts...

Next thing you know: neckbeards.

I've only recently begun to get interested in The Paris Review, mainly because of your digital/social media presence, which I think is tremendous (great work, Justin). Do you see this becoming more important in the future? Do you think you'll ever be "online-only?"

What poem from last issue was from the slush?

What is your relationship with the artists you publish? Do you work closely with the writers and play an important role in preparing the work to be published, or is what they submit to you the (nearly) finished product?

How can I get one of your TPR t-shirts before they sell out on the website? :)