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fatsquatch381 karma

  1. What has been your favorite film to score?
  2. Can you describe your creative process? I have zero idea what scoring a movie is like and would love to hear how you go about getting your ideas.
  3. Do you ultimately get the final say for the "feel" of the score, or are there a ton of execs/producers that have input on the film's soundtrack?
  4. What is the process like? Do you write while they are shooting or do you simply receive the final, mostly edited cut of the film and score it in a few days/weeks?
  5. What are some factors you consider when choosing your projects?

I seriously love your scores- some of the most gorgeous and moving pieces of music I've ever heard. Thanks for doing an AMA!

fatsquatch74 karma

I'm not sure if this has been asked in other interviews, but I've always been curious: was the term "brotha" written into the script or was that your own addition to the character?

Did the writers of Lost give you a lot of freedom to sort of adapt your character or was everything pretty much set in stone?

We loved you on Lost and make a special effort to watch other shows that you've been in (really enjoyed your Fringe & the Mentalist appearances btw!) Our dogs are named Penny & Desmond so that we can yell PENNEH! and COME HERE BROTHA! Thanks again!!

fatsquatch38 karma

What's your call sign? (Does everyone have one, I'm assuming?)

fatsquatch23 karma

PLS

fatsquatch2 karma

Again, I say: from your mouth to god's ears.

IS THIS A YES