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eren_yeagermeister172 karma

Glad I could help inspire! My strongest range is C3-A4 in my full voice. A lot of times the lower range depends on the day, but I can comfortably sing strong G's and on good days drag it down to Eb. I classify myself as a baritenor. I've been singing for 20 years and studied it professionally as well as performed professionally for years. It really just takes years and years of practice and constantly listening to yourself to see what you sound like objectively. Definitely try to see what you're capable of! You cant know unless you try those projects you think about doing.

eren_yeagermeister62 karma

I start by sequencing the orchetsra parts, usually starting with the strings. After I'm done sequencing I set up my vocal template. Usually 3 or 4 tracks on each section. I start with bass and work my way up. After everything is tracked I just throw some hall reverb, pan the choir parts left and right to their prospective sections and a light choral eq and thats really all it takes. Sequencing takes the longest but tracking usually only takes a day or 2. Once everything is done I then record the videos and sing along with the parts, sync them up with the audio, and then its done!

eren_yeagermeister56 karma

It's not about finding a teacher, it's about finding the RIGHT teacher. That can take years to fine the right person who is able to vibe with you in a way that makes you excel. Look at your local universities or even community colleges to see what their vocal departments have to offer

eren_yeagermeister44 karma

Wow what a list!

• The only musician I share a birthday with is Bon Jovi, no one else unfortunately

• Definietly matching all the consonants. Making sure all the T's and S's all match up when tracking. That and the super high soprano notes can be killer on certain vowels. The videos can be frustrating since I do each one in 1 take. If I do 1 word wrong, i have to start over and redo the entire thing because I know it wont match up with the audio

• Have you considered doing a John Rutter piece? I havent but I can definitely consider it. I want to start doing contemporary a capella arrangements of popular songs

• Who are your favorite famous singers? Funny enough, I grew up as a metal head. So my biggest inspirations when I was young were people like Serj Tankian, Maynard James Keenan and Jonathan Davis

• Oooo good one. So many stories. The dumbest question I've ever been asked is I was busking with my cello and singing and a woman literally asks me "is that your voice?" While she is LITERALLY 4 feet away from me watching me sing. I've also had my crotch grabbed on stage by a 400 pound bachelorette who took a gag bit way too far. Also had some one come up and push me off my piano to start playing his own thing when I was in the middle of a set when working a dueling piano show. Many more stories but those are the first few that pop in mind.

eren_yeagermeister39 karma

I've worked hard on my falsetto over many years to give it as much of a feminine quality as I can it's all about tone placement and how the vowels are shaped/rounded. And zero difference on mixing. All there is is some EQing for the entire chorus with reverb/panning but not for individual sections. What you hear is what it is!