What's your relationship with the showrunners, are there any you've worked with who are too set in their vision of the score or are too invested in the temp track to listen to any creative choices you make or are they normally pretty lenient on what you can do?
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What's your relationship with the showrunners, are there any you've worked with who are too set in their vision of the score or are too invested in the temp track to listen to any creative choices you make or are they normally pretty lenient on what you can do?
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