andthatswhyyoualways

Andrew, first of all I just want to say thanks for making some of my favorite music. It doesn't matter what kind of mood I'm in, what time of day, what day of week, I can put on Everything In Transit and truly enjoy every note and every word. (There is nothing like hearing the bass drop on "Holiday from Real" after the sounds of the California beach.) There are few musicians in this world that, no matter what, I will enjoy their work. But regardless of the words or the particular sound that your music has, it is more than just pleasant listening. Your songs always find a way to connect to me on a deeper layer than surface enjoyment. They make me think and feel in a way that no other music does. There are a lot of artists that have had an impact on my listening habits, but there is no doubt that my entire life would be different without your music. Thank you for continuing to make music that is not only entertaining, but meaningful as well. tl;dr your music is awesome.

On to my questions...

1. Looking back on Everything in Transit, what do you think of the album now? In my opinion, it is one of the most complete (insert genre you think is appropriate here) albums ever. Do you think that the album was under-appreciated because it didn't have a "radio hit"?

2. Where do you find inspiration to write new songs?

3. I see a lot of similarities between the careers of you and your friend Nate Ruess. Both had bands that were successful (The Format and Something Corporate) before moving on to new projects (fun. and Jack's Mannequin). Aim and Ignite and EIT were, in my opinion, impeccable albums that did not receive the mainstream attention they deserved. Do you and Nate ever talk about this?

4. I mentioned above that I could listen to Everything in Transit anytime, anywhere. Do you have an album or albums about which you feel the same way?

Thanks and good luck with the rest of your career. We're all excited for what's to come.

They won but Bin Laden didn’t think it would get the US caught in a forever war. His plan was that it would make the US retreat entirely from the Middle East, and he was surprised we did basically the opposite. Only in like 2004 did he try to act like it was his plan all along.

I think the NPR stream of A Dotted Line was a perfect strategy. It gave everyone a chance to hear the album in full before its release, and it was so great I had no option but to purchase it.

Some of those questions are answered in this piece. It's well worth a watch for any Seinfeld fan.

First of all, thank you for your music. It's been a joy for me to listen through the years, and I hope you continue to make records. A Dotted Line is just fantastic from front to back. It's one of those albums I can listen to without even thinking of skipping a song. I finally got to see you all at Forecastle last weekend, and it was easily my favorite set of the weekend. You all have truly mastered your crafts.

I have two questions:

1. How did composing and/or recording A Dotted Line compare to previous albums?
2. I actually had not heard the original "Hayloft" until I heard A Dotted Line. (I prefer yours, ha.) Why did you all choose to cover that song and how did you go about making it your own?

Thanks very much.