AR: Namaskaram Sir! For someone that's been following every bit of music to come out of your studio since Roja, it is an honor to be able to talk to you today.
I kinda view your sound as belonging to three different phases - The Panchathan analog sound, digital and the AM sound. I'm a big fan of your digital Panchathan sound (Iruvar, Kandukondein, Alaipayuthey, Pukar, etc.) that emphasized the high end quite a bit and yet, I thought, didn't go over the top for the most part; Which you since seem to have moved away from.
Could you tell us what your digital setup in Panchathan used to be? From videos of your interviews it looks like a Mackie D8B and Logic 7? but what was the complete signal chain? What Microphone, mic pres, converters, Mixer, DAW and Outboard gear did you use to engineer those records?
Also, during those days, what was your mastering workflow? Was it done in Logic too?
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AR: Namaskaram Sir! For someone that's been following every bit of music to come out of your studio since Roja, it is an honor to be able to talk to you today.
I kinda view your sound as belonging to three different phases - The Panchathan analog sound, digital and the AM sound. I'm a big fan of your digital Panchathan sound (Iruvar, Kandukondein, Alaipayuthey, Pukar, etc.) that emphasized the high end quite a bit and yet, I thought, didn't go over the top for the most part; Which you since seem to have moved away from.
Could you tell us what your digital setup in Panchathan used to be? From videos of your interviews it looks like a Mackie D8B and Logic 7? but what was the complete signal chain? What Microphone, mic pres, converters, Mixer, DAW and Outboard gear did you use to engineer those records?
Also, during those days, what was your mastering workflow? Was it done in Logic too?
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