Introducing an insane central plot dynamic that blindsides people (like, say, a woman suddenly realizing she's been in love with her foster brother her whole life)
OR
Trying to do a Take Backsie on it when you don't know how to properly weave it into the narrative?
Thousands-of-Ghosts34 karma
From a writer's perspective, what's worse:
Introducing an insane central plot dynamic that blindsides people (like, say, a woman suddenly realizing she's been in love with her foster brother her whole life)
OR
Trying to do a Take Backsie on it when you don't know how to properly weave it into the narrative?
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