Reallife06

What was the meanest thing a collaborator, venue owner, promoter or record exec ever said to you about your songwriting/musicianship/etc?

Have you ever found some Dan Wilson-related memorabilia on Ebay or whatever and thought "Wait...What the hell is this?"

I just wanted to say with every grammy you win, I get more hopeful of a Trip Shakespeare vinyl reissue.

No pun intended, what's an example of a specific "sonic" moment in one of your songs just makes you really happy? Like a drum fill, a synth intro, a cadence in a vocal or something?

What were some major label contemporaries from your Semisonic days that you really respected, thought were awesome, but somehow didn't manage to find an audience?