I thought being able to virtually attend OUAT recording sessions was the best, until you shared those Stems for the Remix Contest! Unpacking the orchestrations for those cues has not only been fun but educational. I’m also getting a lot of practice while ‘at play’ and will probably be still playing with the stems long after the deadline. And that’s my my 1st question, when’s the deadline for all the entries to be posted to Mark - #OUATremix ?
2nd Question: I know OUAT writers love sneaking in meta-homages. Am I crazy or have you guys given a tip of the hat or chord (if not whole riffs) from your favorites into your work? Like a “Twilight Zone” bass note, or “Planet of the Apes” cymbals, some “Interstellar” rhythm, or even a “Phantom of the Opera” progression? It’s okay to tell me I’m just crazy.
MysticKid2 karma
I thought being able to virtually attend OUAT recording sessions was the best, until you shared those Stems for the Remix Contest! Unpacking the orchestrations for those cues has not only been fun but educational. I’m also getting a lot of practice while ‘at play’ and will probably be still playing with the stems long after the deadline. And that’s my my 1st question, when’s the deadline for all the entries to be posted to Mark - #OUATremix ?
2nd Question: I know OUAT writers love sneaking in meta-homages. Am I crazy or have you guys given a tip of the hat or chord (if not whole riffs) from your favorites into your work? Like a “Twilight Zone” bass note, or “Planet of the Apes” cymbals, some “Interstellar” rhythm, or even a “Phantom of the Opera” progression? It’s okay to tell me I’m just crazy.
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