Michelhandjello

This immediately leads me to wonder if you have explored the role of glitch art in your practice. I see two really interesting opportunities here, one in digital glitching the stl for the mould, and another in fractionally overheating to see how the materiality of the hot glass can take over. Thoughts?

Edit* damn autocorrect

The scale you are working is relatively small, is that a limitation of your kiln or a deliberate decision? Do you work with Bullseye or other glass suppliers?