I appreciate you constantly pushing the concept of a portrait from something staid to something dynamic and fascinating and fun. I assume you're going into these shoots with a concept from a photo editor or art director. But you're also photographing people who sometimes heavily controlled (image wise) and giving you little-to-no time.
I appreciate you constantly pushing the concept of a portrait from something staid to something dynamic and fascinating and fun. I assume you're going into these shoots with a concept from a photo editor or art director. But you're also photographing people who are sometimes heavily controlled (image-wise) and giving you little-to-no time.
I'd love to hear about your approach. Do you start simple and work your way up? Or do you go in with a mood board and your dream idea upfront? How much are you involving the people your photographing in the process?
M_lyttle2 karma
I appreciate you constantly pushing the concept of a portrait from something staid to something dynamic and fascinating and fun. I assume you're going into these shoots with a concept from a photo editor or art director. But you're also photographing people who sometimes heavily controlled (image wise) and giving you little-to-no time.
I appreciate you constantly pushing the concept of a portrait from something staid to something dynamic and fascinating and fun. I assume you're going into these shoots with a concept from a photo editor or art director. But you're also photographing people who are sometimes heavily controlled (image-wise) and giving you little-to-no time.
I'd love to hear about your approach. Do you start simple and work your way up? Or do you go in with a mood board and your dream idea upfront? How much are you involving the people your photographing in the process?
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