Horican93

How was working with Neil Kellerhouse? He’s one of my favorite designers who aren’t you

(Also did you ever get to directly work with David Fincher, or was it more remote?)

Also - how involved were you in the art of High Level. Obviously all credit to Barnaby and co who did amazing work, but as a visual artist, was there much back and forth/micromanaging, or were you able to give up some control?

Or in other words, did you feel more like a director, or a writer?

As someone who was a fan of NIN and then became, basically, almost a member of the band for a while, are you now able to approach new works by NIN/TRAR like you did as a fan, or is the relationship between you and the music forever tainted (for better or worse) by knowing the behind the scenes so much?