DiomaByrne

Susan Hayward argues in her book on you and your works that anit-establishment and anti capitalist themes can be read in many of your early films, specifically regarding the commodification of women in Nikita and the rejection of mainstream society by Jacques. Do you agree with her analysis and do you subscribe to any such views/ideologies?

Why did you decide to form your own production company and stop working with Gaumont? What have been the pros and cons of the change?