I am Krisztian Majdik director of the animated film Night of the Living Dead: Darkest Dawn, which premieres at Comic Con this Saturday. I have enough pizza to stay up all night to answer your questions, go ahead and AMA!

Hi reddit. I'm ready and looking forward to your questions.

Is it true that you're a triple jump National Champion? Do you still compete? Does that experience carry over at all to your film-making?

This question I didn't expect! I did win an NCAA championship but it was division 3 so not that impressive. I don't compete anymore. I should, need to get rid of my...one pack abs... So far it hasn't helped me too much in my film-making efforts but If someone doesn't like the film and hunts me down or throws tomatoes at me, my sprinting and jumping skills will help me to evade his attacks!

What is your favorite horror film?

Besides the original NOTLD? JAWS and POLTERGEIST. What's yours?

I feel like I remember hearing about this a while ago, how long has this been in the works?

This has been in the works for a long time. On a conceptual level, the project started in 2009 as a micro budget animated film. Basically a bunch of kids in a garage type of thing. We hit some hurdles on the way and the project went through a couple long breaks. Most of the work was done in the past two years.

Gotcha thanks! Good luck with the premiere, doing it at Walker Stalker is brilliant! Just checked out your Indiegogo link - If I can get off work in time to drive down to SD from LA I'm definitely going, cool that you guys made tickets even cheaper than a regular movie theater ticket!

Thanks, I hope to see you there. Any support we can get is very much appreciated. Our dream was to create a studio that does really cool, edgy animated films for a more adult audience. We need all the support we can get to make that a reality in the current animation scene that is more focused on a younger crowd.

I've recently gotten into making short films. I don't really think anyone realizes how much work goes into a 5-10 minute long film, yet alone a 2 hour one. As a director, what really inspired you to shoot the way you do and about how long does it take to wrap a full film for you usually? Thanks for the ama.

Thank you for your question. Now this is my first feature and it took FOREVER! A couple years on and off. You are absolutely right, it's HARD. Someone said something along the lines of "It's incredibly hard to make a bad movie and impossible to make a good one." We had no idea what we were going into (and what we were doing!). We had the production budget of maybe 1/3rd of a Simpsons episode and industry people told us there was no way we could do it. But most of us were just a couple years out of school, hungry to tell stories and we all shared a deep love for animation. That was the inspiration/motivation to do this.

In terms of what inspires me the way I shoot? I grew up with Indiana Jones, Blade Runner, Alien, big popcorn movies. Those films affected me and influenced my style. I like a fluid, moving camera. Animation was the world that would let me execute my style with the limited money we had. In other words, the freedom of it is intriguing...at least on paper. Little did I know that there were even more restrictions in animation than in live action!

Hi Mr. Majdik, If you could have directed any movie that has ever been made which one would it be and why?

I want to say The Lord of The Rings, Blade Runner, Spirited Away, Grave of the Fireflies, any kubrick movie (who doesn't want to be considered the best director of all time)...but the one movie that popped into my head first is INDIANA JONES AND THE LAST CRUSADE...why? Because it is one of the most entertaining films of all time and I loved that movie since I first saw it as a young kid. It's probably the reason I ended up in film. Indie it is!

What different are you bringing to the table in the 'Dead' franchise?

We explore Ben and Coopers character and relationship much deeper in this movie. That to me is the core of the film.

How great is Tony Todd, and how was it for him to step back into the role of Ben? Was it odd giving him direction when he already played the character before?

He is obviously the king of great! Larger than life. I think he enjoyed it. he brought a different, more matured sensibility to the character. I directed him for part of the film...but directing is the wrong word. He came perfectly prepared and nailed it. Made our jobs easy. It was a joy to edit his takes though. I can say the same for Joe Pilato as well. Just a crazy, crazy performance.

Hello, I am a young kid, who wants to take an interest in Animation strongly, and maybe even movie making! Any tips? And how hard was it animating zombies to make it look realistic for the animators?

That's good to hear. The sooner you can start, the better. My biggest advice is to just stick to it and practice every day. People talk about talent but it is really just hard work for years and years until one becomes good at most things. Read a lot of books so you become a good storyteller too! And observe nature and your surroundings. There are plenty of inexpensive software out there to start practicing. Unreal engine comes to my mind!

Animating zombies isn't hard because it's a lot of fun!!

When Darkest Dawn makes a lot of money, are you going to stay in the independent film industry, or go on to make studio movies?

Ideally both. In an absolutely.perfect.fantastic.world. But I'd be just happy to get a go at another film. Use what I learned on this one and really make it great. I'd love to do more animation as well as live action and I have a couple pitches ready to go.

Sounds awesome, I wish you the best of luck and hope you move on to other projects after Darkest Dawn.

Thank you, RedstoneRay!

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Any tips for a film student like me? =)

Yes! Find out as early as possible what you really want to do long term. Then figure out the best path to get there. Say you want to become an editor, edit as many student films you can. Take relevant internships. Once out of school, beg for any entry level position in a post team but focus your energy to get a job at a place you'd like to work in long term. The most successful people I know worked their way up in ranks at one place. Basically get really really good at something relevant to your final career goal:)

If you want to direct, keep doing shorts, finish them, show them. Learn from mistakes and keep doing it...WHILE becoming really good at something relevant such as editing to be able to pay the bills and improve by working with people that are better than you.

Most importantly, be pleasant to be around and just be hard working. It will get you far.

Hi Krisztian ... Great to see you doing an AMA here! Will surely watch Darkest Dawn! Can you speak about how Night of the Living Dead is different from the other animated films? And what more does this film have in it for the audience?

Thank you for your question, suvrankar. Well, first of all it's an adult themed, edgy film. Most animated films in the US are big budget, 100 million+ and aimed towards a young audience. Ours is raw. We basically did the equivalent of picking up a camera, going outside and shooting a horror film in the backyard...but in an animated world. That rawness adds a cool mood to the film that you won't find in the high end, overproduced world. It has of course great drama, tension, great performances and simply a very good, entertaining story for the audience. I hope they like it and if not, I'll be waiting here to take the blame!:D

How's Tom doing?

I hope he is doing great!

Can you tell us about the process of making the film?

Sure. I'll do the Eli5 version because this can get complicated. We started out with recording the motion capture, audio and facial capture of the actors. Next step was world building. We created the virtual sets and placed the mocap animation inside them. What follows next is the most fun part. We went into the virtual sets with virtual cameras and shot the film, very much like one would shoot live action. It's almost like playing a shooter game! Then I took all the footage and edited it into a (hopefully) coherent story. Now at this stage the film looks very bland. Black and white essentially. The next step is lighting and effects. Once that is done it goes into the oven, the rendering.

The last step of the VFX pipeline is compositing where everything comes together. While this is happening, we are refining the edit, add additional shots, do reshoots, drink a ton of coffee, cool down burning computers and keep tweaking the edit endlessly until we are happy with the cut. Next is color correction/DI where we refine the look. Sound design and Score finishes of the long process.

Can you elaborate on what made the journey, "soul crushing"?

Making animated films (or any movie in general) is very very challenging. Artistically and technically. We didn't know what we were getting ourselves into and we faced many setbacks. Each of them very painful. But we learned from our mistakes, got better, shot by shot, scene by scene and finishing the film makes up for all the hardship...but what am I talking about! All in all it's great fun to make movies and the journey itself is fantastic. We filmmakers just like to complain!

Night of the Living Dead has been remade many times over to varying levels of success (Savini's 1990 remake being the one shining example). What made you choose to revisit this story as opposed to just using it as inspiration?

The original kickoff for this project came from the other Director on this project, Zebediah DeSoto. He also wrote the first draft of the screenplay. So I can't speak for him and his intentions. For the rest of us that joined the project, we were all big fans of the original and we wanted to add our spin on it. I sincerely hope we did a decent enough job to at least play a successful homage to the original while being respectful to it as well. No film will ever be as good as Romero's masterpiece but if we can be entertaining and capture at least a little bit what made "Dead" so great, I'm happy with the outcome.

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He's not participating in this AmA. I'm all you got!

Couldn't get tickets in time for SDCC. Any other way I can see the film?

Yes! We will announce the release date and where you can watch the film shortly after comic con. Just keep an eye out on relevant news and follow our facebook page.

I live in Japan. When can I see this film online?

It's not yet released but follow our facebook page for updates on the release date.

Submit to film festivals in Japan, and come to screenings, please!

That is a great idea!

Another film based of Romero's masterpiece, don't you think night of the day of the survival of the dawn of the return of the revenge of the living dead is getting a bit played out? Did you consider making any radical changes to the old shtick? With a low budget it's the perfect time to get creative in any number of ways..

We did try to add our spin to the story. You will have to watch the film to see if we succeeded.

I will watch, as Bill Moseley is a relative of my fiancé, I'll be sure to leave an honest, critics view of your film on imdb later down the line. I didn't mean to sound harsh earlier, it's just easy to get frustrated with horror films that bank on the success of a classic and deliver little..

Thank you, I appreciate it and welcome a fair review, good or bad. We put our best effort with the resources we had into the film. I hope you will enjoy it.

Can you elaborate a little bit on the types of vfx software you used and why? It looked so nicely rendered! I was impressed by the footage I saw. =)

Yes of course. We used a bunch of different software. Motionbuilder for the motion capture cleanup, Maya for general VFX, vray for rendering, NUKE for compositing. I used Final Cut Pro 7 and AVID for editing. All of the above software did a fantastic job. We ran into issues when it came to rendering. The more we added effects such as smoke, haze, hair animation and generally stuff that adds a lot of production value, the more we ran into massive rendertimes. Sometimes 24 hours a frame or more. For those who are unfamiliar with the animation process, rendering costs a lot of money. We had to downscale and get rid off a lot of the fancy stuff due to our very limited budget. We tried giving it an interesting look that was inexpensive at the same time. Some sort of graphic novel come to live.

Fast zombies or slow zombies - what makes the terror more intense!?

Slow zombies that turn into fast zombies as the night progresses!

what do you like to put into your tacos?

Guacamole, Carnitas or Chicken, Salsa, the usual stuff. I like it spicy.

How do we pronounce your name ?

Oh it's a tough one. Krisztian is Just like Christian. Majdik (it's Hungarian) would be something like "moijdic"

Have you seen the actual "Night of the Living Dead"? If so, did this film inspire you and why?

Of course I have seen it. Most recently at the Hollywood Cemetery screening...best place to watch it! What inspired me most is that Romero picked up a camera with a very limited budget and team and just went out and made it. It's so incredibly hard to make movies (mostly it's hard to finish them!). What inspired me in terms of story, I was always fascinated by the drama between Ben and Cooper. I think it's a fantastic duel of sorts.

Can you elaborate on some of the hardest parts of making this film as well as some of the most rewarding aspects? It must have been awesome working with the great Tony Todd!

Tony Todd is great! His performance is fantastic and so is Joe Pilato's and everyone else in the cast.

The hardest part by FAR was budget limitation. We got some big name producers (Simon West, he's great!!) on that helped us get the cast and the financing but there wasn't a lot of it. It was very much a super low budget production on the level of a higher end 20 minute Saturday morning cartoon. We were 20 kids in a garage in 90 degree heat at times. It was fun but hard...very hard. If we would have known how tough it would be, none of us would have done it in the first place. but that's the beauty of such projects...

Favorite type of pizza?

Tomatoes, Mushrooms, some capers and....anchovies...but not too many, that'd be gross!

What's your favorite kind of pizza?

I answered this a couple posts higher up but here it goes again:

Tomatoes, Mushrooms, some capers and....anchovies...but not too many, that'd be gross! I am known in my friend circles as a bit of a pizza snob because I often criticize the much loved NYC style pizza....

Hi: I am a young blogger of talktechtrends.wordpress.com. I would like to ask you some questions and post them interview-format on my site:

1) Why should people watch your film? 2) How was it working with Madhavan? Any why choose him? 3) Any words for aspiring filmmakers?

Thanks! Would be cool if you gave a shout-out of my site on Facebook or Twitter.

Sure. It's fun to watch! It's a very entertaining, dramatic film. We tried to do something different with it. But mostly, if you want to see more adult themed animation in the US, support us so we can continue growing this very small scene. My dream is to have a market like Japan, where there is a wide variety of animated films for everyone's taste.

2) Madhavan is a true professional. He is great. He came highly recommended and we had just the right character for him to play.

I'd love to give you a shout-out. PM me later.

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The first guy who played Tom, Mike Diskint, he delivered a fantastic performance and some of it is left in the mocap performance. The choice to replace him was a producer decision and we are very pleased with the performance of Tom that is in the final cut.

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He's a zombie now;(

Do you ever wake up and say to yourself "this is what it's come to eh. Making yet another stupid fucking zombie movie." When did you realize your well of creativity had gone dry?

Ha, nice question...(ಠ_ಠ)

We chose to do this kind of film because we love horror and we wanted to try our hands on creating a zombie film. Why not? It's fun...but also because it has an audience. Unfortunately making movies is expensive and there is a business side to it. For a new, unproven team, with very little money, outside the studio system, we needed to do a project that could generate enough return in order to make another film. It was also essential to GET financing in the first place and attach our wonderful cast. Hopefully this one does alright and we can do a follow up. We have a fantastic sci-fi script lined up and I would LOVE to get started on that.