With Music i first look for the right person always a music director who has an inclination to create than to deliver a hit song and then he should have the time i need. Minimum we have taken on any film to create music is 18 months. Bombay Velvet we have already spent 4 years, gulaal we spent 3 years and Gow more than 3 years. Music is developed simultaneously along with the script is why they go together well. Lyricists are more often than not chosen by the music director, he throws choices at me and i respond as yes or know and we discuss the script at every stage amongst ourselves. and whenever we pitch the film its always with ready music. that also explains why i always work with a new music director.
i will care about the 100 crore club when my film costs more than 50 crore. like with my next BV needs to make more than that to be sustainable for me in the future.
torrents zindabad..other than that we are constantly trying to break into foreign markets , with last few films we have managed to do that in europe. we still need to crack US and UK
its happening. our prime responsibility is to make a film that we want to in all honesty and burden ourselves with not more than the recovery of Cost of production. After that its the others that come into play. A film can recover money over a long period of time if its a good film and thats what we should do. but cinema is an expensive art form and Mrinal Sen famously said that,"the day film is as cheap as paper and the camera as inexpensive as the pen i will make whatever you want" until then its always someone else's money we are spending. we like to work backwards and write scripts that can be achieved in the cost it is made at.
Argue when they dont understand and make sure that your film is powerful enough for them to let it go and honest to its milieu so that it does not look like a cheap afterthought
to each their own. i dont tell them what not to do and will not allow others to dictate me. filmmaking is also business and we should not forget that if those films that make money are not made then we also wont be allowed to make films. look at europe , the countries that make only art house films have no industry are dependent on the government and institutions for money and those filmmakers get to make one film every six years unlike us who make a film a year
integration depends on the audiences. now they release regional language films subtitled but are not patronized by the audiences. integration also depends on cultural understanding.
i am thankful to piracy because it saved cinema and my career and i get bothered by it too that because of it our mainstream cinema now world wide has become only about summer blockbusters and superheroes and sequels. torrents have killed meaningful cinema worldwide because they are not like events and people chose to see them on laptops
I dont feel any responsibility, i do things because i enjoy them or i just dont know how to say No to genuine passion and maybe i am selfish. i see it as the only way to survive . more they exist , longer i will get to make films.
sex lives of our politicians.. imagine those old fogies taking viagra and sitting there waiting , looking down at it for it to rise to the occasion backlit by the sun and then there is a crisis and they have to go and they have to run and be in the middle of it for the photo op and the viagra starts to take effect.. and then he is giving a morality speech
amit trivedi is doing BV. i spend a lot of time on music. Amit has been working on BV since Dev.D released. Sneha has been working on Doga since GoW released.
they are most terrified during those scenes and believe thats the least turn on/sexy/ and most difficult thing to do. having sex on camera is the most impersonal thing to do.
it helps . i like non actors as well. advantage with theatre is that an actor knows how to take directions and understand character. but very rarely a great theatre actor will also make a great cinema actor. they often are loud and depend more on exaggerated body language and dialogue delivery and external factors.
struggle is only in the head and its constant. the external physical struggle is not really a struggle, its a journey and it is enriching and beautiful unfortunately most people want to skip that.
i am good with spinning circles around them, an art life teaches you. i dont lie and they do not hear what they dont want to. its akin to i lie and they love me. the fact is no one knows what works.
look through your camera and really look. i guess you are always looking into your own head and hence dont really see whats in front of you. and when you are writing look with in. and best way to write is to bleed.
No Smoking was where you saw me jerk off and you either hated it or you loved it but it was me who came. i would like to jerk off again but not in someone else's bedroom. this time i will use my own when i can afford it myself. jokes apart i would love to go into that zone again but with more freedom and when no one else is at risk with it except me.
only Paro knows that. I dont think anyone knows a woman well enough to know everything about her. we are the inferior sex to them and lets live with that. i prefer that.
hobbit / harry potters can only be made in a language which is universal so that it gets a bigger audience base to recover costs. we are as big as the expanse of our language or our translatability. small budget science fiction we can. maybe someone will.
i have always believed i am mainstream. i just did'nt have stars. i will lose my place only if i start to get dishonest with my film. if i start to cater to the fandom, either mine or the star's fandom i will fail if not at first then sooner than most. it does not matter who is in the film, what matters is why you are making it and how honest are you to the material and to yourself.
he is not me and he is getting much much better at who he is. he is on a whole different journey of rediscovery. lets stop telling people what to do and start by finding ourselves. and never NEVER put the burden of our expectations on others. What doesn't turn you on gives multiple orgasms to someone else.
yes. i need to focus on my films. earlier i was approachable because very few approached me . now its crazy. what i do matters more to me. i have stopped producing and its the companies we started which are doing them. i think i have done my bit for others and now i need to be a very selfish filmmaker. its only i , me , myself now.
i dont know what she was doing , i was looking at the sky . the sky was so blue and looked so beautiful we forgot to tilt the camera so never saw what she was doing.
aditya srivastava. nawaz. i love to shoot them. manoj , KK, Naseer, piyush i love to hear them. ranbir i love to watch in other films, hoping to discover him this time.
yes. positive is oft repeated way of psychologically telling ourselves " i am ok, you are ok" . the only self help i believe in his whats achieved in the privacy of a bedroom/bathroom.
you keep doing them , and your work will one day take you wherever you want to go. every opinion however critical is always good or bad depending on how objectively you see it. there are no shortcuts.
i have only seen khamosh paani, burqa killer film, khuda ke liye, bol and josh. love the first two. bought the argument of the KKL and Bol and appreciate josh
i continue because there is no other way. would rather continue than sit back and wait for others to do it for me. baaki sab ka ek hi jawab hai 'how do you breathe when there is so much disease/strife/war around you.'
i just write. masturbation is the biggest medicine to writers block. i better all my writing while directing. nothing will ever be perfect and people who fear the imperfection should stop trying to create. in order to create the perfect you have to improvise on the imperfect. and that will happen only after you finish writing.
i enjoy making all films i do. i enjoy the process of making it more, i hate the prostitution i have to do at the time of its release but we are contractually bound. and i am over it by the time it releases.
Bombay Velvet is my big vet dream. its the beginning of my bombay trilogy which i got inspired to do after i read the LA Quartet by james ellroy. that inspired me to dig into the dark trenches of the history of Bombay. and i found a treasure trove that is neverending.
vyom367 karma
edit: Thank you /u/pseudoforce for reddit gold.
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