During your career, you have made contemporary art accessible to a wider audience, which inevitably gave you the power of public interest, while maintaining the dialogue of your durational and meditative works that physically and emotionally pushed your own being into an experience to urge internal speculation within the viewer- however, do you think cultural prominence and fascination jeopardizes the viewer/participator’s privatized, inner contemplation and encounter with your work? Is there a risk of sensationalization or spectacle?
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During your career, you have made contemporary art accessible to a wider audience, which inevitably gave you the power of public interest, while maintaining the dialogue of your durational and meditative works that physically and emotionally pushed your own being into an experience to urge internal speculation within the viewer- however, do you think cultural prominence and fascination jeopardizes the viewer/participator’s privatized, inner contemplation and encounter with your work? Is there a risk of sensationalization or spectacle?
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